In plain terms

I’ve never stayed in one lane. From PR and events to design, websites, advertising, brand systems, then AI. Each one fed the next. The work always demanded more and I always said yes.

AI gives me freedom. To create, to change, to build, to multitask, to do things that felt outside my abilities but taught me a lot along the way. It’s my as-the-crow-flies thinking made real: we are here, we need to get there, make it do this. Collaborative without a lot of the human elements that slow things down. It thinks as fast as I do. It’s the sci-fi books of my childhood come to life, and the job description I always wanted but could never name because it didn’t exist yet.

Self-taught. BA from LISOF, ten distinctions. Eighteen months at Wunderman Thompson across Coca-Cola’s full portfolio: Fanta, Sprite, Powerade, the whole thing. Four industry awards out of that, including two Golds. PPS has been my longest client relationship: eight-plus years designing directly for their CEO and COO. Board decks, results presentations, conference keynotes. The slides that go up when the stakes are highest.

I reach for AI tools before I reach for manual solutions. Not because it’s trendy, but because I’ve been building with them long enough that it’s just how I think. I run n8n, Make, and Zapier workflows. I build internal tooling in Cursor and Claude Code. I actively watch what’s shipping at the frontier because I find it legitimately interesting, not because a job description asked me to.

The work that interests me most right now is at the AI operations layer: the systems, workflows, and infrastructure that let organisations actually use AI rather than just talk about it. Building that layer requires someone who understands both the product and the brand, the pipeline and the person using it.

The “anyone can build with AI now” moment happened in 2025. I was already a year in, with the experimentation to prove it. GPT, Marblism, V0, Loveable, Replit, Bolt, Windsurf, Cursor, Claude Code. I tried them all. Every one of them taught me something. Still building, still curious and nowhere near done.

Experience
2014 — Present

Nomadic Digital

Founder / Creative Technologist

Studio work spanning branding, design, web, and AI systems for clients across South Africa, Malta, the US, and the UK. 12 years of retained and project-based work. PPS, Kikuti, Dave's Supermarket, Integrity Studio Co, and more.

Ongoing
2023 — Aug 2025

2 Hour Learning / Alpha School

AI Marketing Manager (Contract)

One of three people who took the organisation from 3 to 23 campuses in 18 months. Built the systems, automations, SOPs, and communication infrastructure from scratch. Marketing, web, CRM, events, admissions, and internal tooling. Left on principle.

Contract
2022 — 2023

Wunderman Thompson

Designer / Creative

Designed across Coca-Cola's full South African portfolio: Fanta, Sprite, Powerade, Coca-Cola. Four industry awards including Gold at the New Generation Awards and Gold at the MMA Smarties for Fanta #WhatTheFanta.

Agency
Skills
The Classics
HubSpot, Shopify, WordPress, Google Ads, Meta Ads, Webflow, Email
Design & Creative
Adobe Creative Suite, Figma, Remotion, fal.ai, Elevenlabs, Suno, Canva, Nano Banana
LLMs & Agents
Anthropic, OpenAI, Gemini, Grok, Hugging Face, Perplexity, Open source models
Vibe Coding & Systems
Claude Code, Cursor, Vercel, Supabase, Next.js, React, Node.js, Tailwind, V0
Workflow & Ops
n8n, Make, Zapier, Airtable, Kai, personal agents
[Insert new tool here]
If I haven't used it before, I'll figure it out.
Clients
PPSKikutiDave's SupermarketAlpha School2hr LearningSAHBAIntegrity Studio CoWunderman ThompsonLekker VeganVarious
Currently

Developing ctrl+alt+define — a field guide to tech jargon for anyone who’s been nodding along in meetings for years.

Let’s talk

Remote as standard. Johannesburg-based. Available for retained creative and technical work, AI systems builds, and interesting problems that don’t have a category yet.

Kelly Fraser — Full profile, 2026
AI Experience Architect / Creative Technologist / Builder at the Edge
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